Bright Lights was made before the passing of Carrie Fisher and Debbie Reynolds. It was intended to record the lives of a very unconventional family. Both Carrie Fisher and Debbie Reynolds are mega stars in their own right and that had more or less caused an impact on their mother-daughter relationship in their early years. Todd Fisher, the brother managed to stay out of the limelight but then he was also tasked to witness how fame adversely impacted on his family during the early years.
Bright Lights is a very frank account of a snapshot of the family legacy. Both Carrie and Debbie are larger than life characters in real life and the great thing about this documentary is that they do not shy away from their struggles. It is not a reality show but an account of the daily struggles they experienced now that they are older but still trying to live up to other people’s expectations of their legacy. It is moving, funny and sometimes sad.
Debbie Reynolds is basically the young girl we knew trapped in a flailing body. You can see life and energy in her eyes but her body was unable to catch up. That is the aspect that worried Todd and Carrie most as they witnessed how their mother’s refusal to slow down was taking a toll on her body. Debbie still wants to be the Debbie she once was but her body acted otherwise. Nonetheless, it is her positive outlook of life that kept enabling her to do “another one last show” after the last. She loves being on the stage and you could see life gushing out of her when she is on the stage interacting with her audience. And you can definitely see her strength to soldier on in the segment about receiving the Life Achievement Award from the Screen Actors Guild. For Carrie and Todd, her insistence to attend was reckless considering her health but nonetheless, as Carrie sang in one of Debbie’s show, she would never say no to her mother.
The documentary also gave a frank account of the breakdown and crisis Carrie Fisher went through post Star Wars years. Her depression and drug addiction to try to be herself again without the need to live up to other people’s expectations was nothing but raw. Debbie Reynolds gave an account of how she didn’t know how to help because the mental illness was not diagnosed (because it was unknown at that time) and how she and Todd were on their toes about Carrie’s spiralling out of control. The emotion was unrehearsed and you can still tell that these events had permanently scarred the family. Carrie Fisher on the other hand are more positive in outlook as now she felt she could really be herself. She knew where she was and you could see how she tried to fight for her own right when she was forced to lose weight for Star Wars: The Force Awaken. As she put it, when she was young she didn’t know what to do but she knew she didn’t like what she was being asked to do. And that was one of the main reasons for her spiralling. She mentioned that there were things and conversation inside Postcards from the Edges that did happen at that time and she didn’t want to hide them.
The so called sibling rivalry between Todd and Carrie was also touched on. However, it is less than a rivalry but more of an unfairness that Carrie felt as she believed “Todd had got it much easier” because Debbie had no expectations for Todd to fill her or his father’s shoes. The whole burden was rest upon Carrie. This is also why Carrie did not want to become a singer as a sign of rebellion to her mother, only to fall into the mega machine of Star Wars unwittingly. As Todd said, Carrie thought it would just be a B Grade Sci-fi movie not knowing that she had thrown herself into the limelight that she had fought so hard to avoid.
There was also an account of Debbie Reynolds trying to establish a museum for the film industry without success. She spent a lot of her savings rescuing memorabilia for the industry but only met with solid walls when trying to convince funders to build a museum to centrally hold these items for the future generation to understand and appreciate. The heartbreak that Todd felt for his mother in her relentless quests to achieve this lifetime goal was very emotional. It also gave us a glimpse of how the American film industry is not interested in looking back but capitalise everything they could. This is a very sad portrayal of how lack of long term vision the American film industry is.
Both Debbie Reynolds and Carrie Fisher are no longer with us. It is a huge loss to a legacy of a family but at the same time Bright Lights gave us a good glimpse of this family, and how human they are despite all the limelight that had ushered them around throughout their lives. We will miss them both dearly and I believe they will continue to be the bright lights they were to many as when they were with us.